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Making the Ordinary Extraordinary: Magical Realism in Latin American Literature
Students explore the literary genre of magical realism through a selection of short stories and the novella Chronicle of a Death Foretold, analyzing how writers blend realism with fantastical elements to reveal truths about human nature.
ELA
Unit 4
10th Grade
Unit Summary
This unit introduces students to magical realism, a literary genre most often associated with Latin America. First used to describe art in the 1920s, magical realism blends elements of realism with fantasy; however, characters do not question the magic and instead accept it as a normal occurrence. The term was later used to describe the works of writers of the Latin American Boom during the 1960s and 1970s, a literary movement in which young Latin American writers challenged the European literary canon.
In the first arc of the unit, students familiarize themselves with the characteristics of magical realism by reading a selection of short stories by Latin American writers: Gabriel García Márquez, Isabel Allende, Julio Cortázar, Jorge Luis Borges, and Octavio Paz. They also read the stories of Aimee Bender and Karen Russell, two contemporary American writers who are writing within the genre. To conclude this first part of the unit, students write the opening one to two pages of their own magical realism short story, focusing on starting in medias res and incorporating a magical element that reveals the character's conflict.
In the second arc of the unit, students read Gabriel García Márquez's novella Chronicle of a Death Foretold. In this short text, an unnamed narrator returns to his hometown twenty-seven years after the murder of his friend Santiago Nasar to piece together the events surrounding the tragedy. Another example of magical realism, García Márquez's novella explores how a society's values impact individual decisions and actions as well as the community's sense of responsibility towards its members. While reading, students consider how García Márquez develops important themes about honor, collective guilt and responsibility, and the nature of truth/memory. After finishing the novella, students engage in a summative Socratic Seminar on blame and victimhood in the text, choosing one of the prompts to write an argumentative essay that effectively addresses a counterclaim.
Please Note: In October 2025, this unit and its lesson plans received a round of enhancements. The unit is now 24 instructional days (previously 22 days). Teachers should pay close attention as they intellectually prepare to account for updated pacing, sequencing, and content.
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Texts and Materials
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Core Materials
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Book: Chronicle of a Death Foretold by Gabriel García Márquez (Vintage) — 1210L
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Book: Collected Stories by Gabriel García Márquez (Harper Perennial Modern Classics)
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Short Story: “Two Words” from The Stories of Eva Luna by Isabel Allende
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Short Story: “House Taken Over” by Julio Cortázar
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Short Story: “The Book of Sand” by Jorge Luis Borges
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Short Story: “My Life with the Wave” by Octavio Paz
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Short Story: “The Rememberer” by Aimee Bender
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Excerpt: “St. Lucy's Home for Girls Raised by Wolves” from St. Lucy's Home for Girls Raised by Wolves by Karen Russell
Supporting Materials
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Painting: Beach of Dangast with Flying Boat by Franz Radziwill (Google Arts & Culture)
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Painting: American Gothic by Grant Wood (Art Institute Chicago)
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Painting: Late Visitors to Pompeii by Carel Willink (museum noijmans van beuningen)
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Painting: Self-Portrait with Thorn Necklace and Hummingbird by Frida Kahlo (1940)
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Painting: The Subway by George Tooker (Whitney Museum of American Art)
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Podcast: “Revisionist History: Free Brian Williams” by Malcolm Gladwell (Pushkin)
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Resource: Sentence Stems for Academic Discourse
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Resource: Transitional Words and Phrases
- Resource: Recommended Texts for Independent Reading
Assessment
These assessments accompany Unit 4 and should be given on the days suggested in the Lesson Map. Additionally, there are formative and creative assessments integrated into the unit to prepare students for the Performance Task.
Socratic Seminar
The Socratic Seminar assesses students on their ability to push themselves and their peers to think critically and participate meaningfully in conversation by collecting and evaluating evidence, actively listening, and responding thoughtfully. Socratic Seminar assessments may occur mid-unit as a way to synthesize the ideas of the text/unit to that point or summative, taking place at the end of a unit.
Performance Task
The Performance Task is the culminating assessment of the unit in which students have the opportunity to show the skills and content they have learned.
Unit Prep
Intellectual Prep
Essential Questions
- What are the defining characteristics of magical realism? How do writers use magical realism to tell us about the real world and ourselves?
- How do a community's values impact its relationship with individuals?
- What is our collective responsibility to people in our community? What prevents individuals from acting on behalf of a community member?
- What is truth, and how do our personal biases and memories shape our understanding of it?
Vocabulary
Text-based
desolationfeignimpenetrableimplacableindispensableingenuousineradicablyirrevocablemagnanimousmachismoominousostracizeresolutereverence
Literary Terms
Gothic literatureepigraphmagical realismnovella
Root/Affix
dispenseradicgenin-
To see all the vocabulary for Unit 4, view our 10th Grade Vocabulary Glossary.
Supporting All Students
In order to ensure that all students are able to access the texts and tasks in this unit, it is incredibly important to intellectually prepare to teach the unit prior to launching the unit. Use the guidance provided under 'Notes to the Teacher' below in addition to the Unit Launch to determine which supports students will need at the unit and lesson level. To learn more, visit the Supporting All Students Teacher Tool.
Notes to the Teacher
Chronicle of a Death Foretold contains mature and/or disturbing content, such as graphic violence, sexual content, sexual harassment, misogyny and gender-based violence, and domestic violence. Before starting the text, it is imperative that teachers prepare students for this content, which may be sensitive and triggering for students. To foster a safe learning environment, teachers should create or re-establish their classroom contract and have a dialogue with students about what would make them feel safe when reading and discussing upsetting moments in the text. Before students complete a homework reading with sensitive or triggering content, teachers should warn students about what they will come across in that particular reading, so that students can mentally and emotionally prepare themselves for it. Additionally, teachers should be aware of signs of abuse in the event that a student displays signs or discloses abuse they are experiencing inside or outside of their home.
Below are some resources to prepare yourself and your students for this text:
- "Contracting" by Facing History and Ourselves
- "An Introduction to Content Warnings and Trigger Warnings" by the University of Michigan
- "Content Warnings" by the University of Waterloo
- "Recognizing Signs of Abuse in Students and How You Can Help" by Education World
- "Responding to Dating Violence" by The Center for Relationship Abuse Awareness
- "Teaching About Sexual Assault in Young Adult Literature" by Kathleen C. Colantonio-Yurko, Henry "Cody" Miller, & Jennifer Cheveallier (Journal of Language & Literacy Education)