Illuminating Illusions: Truth and Fantasy in A Streetcar Named Desire

Students will explore how Williams uses characterization to represent the conflict between truth and fantasy throughout the play. Additionally, students will use different literary lenses to analyze the play's themes and social commentaries, as well as make comparisons between the written play and its 1951 film adaptation.

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ELA

Unit 4

11th Grade

Unit Summary


Tennessee Williams's A Streetcar Named Desire aligns with the year's theme of American Dreams and Realities. The character of Stanley embodies the shifting American landscape of the post-war period when the working class and immigrants grew more powerful. He clashes with his sister-in-law, Blanche, who symbolizes the prejudiced Southern aristocracy. Stanley's ascent reflects the American dream of upward mobility for those from less privileged origins. However, through Stanley's misogynistic and violent actions, Williams expresses his disappointment with this dream. Written post-World War II, the play's social commentaries on gender, class, and desire, as viewed through various literary lenses, remain relevant today. Students will also connect to the theme of masking one's true self, featured prominently throughout the play. 

Before reading A Streetcar Named Desire, students will explore a text set to develop background knowledge on the Southern belle, women's roles in the post-war era, New Orleans culture, the Southern Gothic genre, and the life of Tennessee Williams. While reading, they will compare scenes from the play to Elia Kazan's 1951 film adaptation, analyzing how cinematic techniques and performances emphasize the play's themes, characterizations, conflicts, symbols, and social commentaries. Students will also examine narrative differences between the play and film, resulting from film censorship and the impact of these differences. For the final performance task, students will write a film review assessing how effectively Kazan's film captures the play's themes, conflicts, and social commentaries.

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Texts and Materials


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Core Materials

Supporting Materials

Assessment


These assessments accompany Unit 4 and should be given on the days suggested in the Lesson Map. Additionally, there are formative and creative assessments integrated into the unit to prepare students for the Performance Task.

Socratic Seminar

The Socratic Seminar assesses students on their ability to push themselves and their peers to think critically and participate meaningfully in conversation by collecting and evaluating evidence, actively listening, and responding thoughtfully. Socratic Seminar assessments may occur mid-unit as a way to synthesize the ideas of the text/unit to that point or summative, taking place at the end of a unit.

Performance Task

The Performance Task is the culminating assessment of the unit in which students have the opportunity to show the skills and content they have learned.

Unit Prep


Intellectual Prep

Essential Questions

  • How do authors use characters symbolically to make historical and social commentaries? How can readers gain a deeper understanding of these commentaries through the application of various literary lenses?
  • Why do people create and maintain false identities? What are the consequences of doing so? 
  • How can the film medium enhance important themes, symbols, and conflicts in a written text?

Vocabulary

Text-based

attenuatedestitutedemuredeludedperpetratereproach

Literary Terms

at rise descriptionclose-up shotdiegetic soundfeminist literary criticismhigh-key lightinghistorical literary criticismhigh angle shotlow-key lightinglong shotlow angle shotmarxist literary criticismmedium shotneutral lightingnon-diegetic soundperformancepsychoanalytic literary criticismsatiresetstage directionszoom

To see all the vocabulary for Unit 4, view our 11th Grade Vocabulary Glossary.

Notes for Teachers

A Streetcar Named Desire contains both explicit and implicit references to disturbing content, including physical abuse and rape. Before starting the text, it is imperative that teachers prepare students for this content, which may be sensitive and triggering for students. To foster a safe learning environment, teachers should create or re-establish their classroom contract and have a dialogue with students about what would make them feel safe when reading and discussing upsetting scenes in the play. Prior to students reading A Streetcar Named Desire, teachers should provide students with an overall warning about the sensitive content in the play. Before students complete a homework reading with disturbing scenes, teachers should warn students about the upsetting content they will come across in that particular reading, so that students can mentally and emotionally prepare themselves for it. Additionally, teachers should be aware of signs of abuse in the event that a student displays signs or discloses abuse they are experiencing inside or outside of their home. 

Additionally, in the play, the words "colored" and "Negro" also appear as racial descriptors. Before reading the play, be sure to explain to students that these words were once the terminology used to refer to people of African descent and were replaced by "Black" or "African American" in the 1960s, primarily due to the Civil Rights Movement and the Black Power Movement. Students should understand that these terms are now offensive and outdated. 


Below are some resources to prepare yourself and your students for this text:

Lesson Map


Common Core Standards


Core Standards

L.11-12.3
L.11-12.6
RI.11-12.2
RI.11-12.7
RL.11-12.2
RL.11-12.3
RL.11-12.4
RL.11-12.5
RL.11-12.6
RL.11-12.7
SL.11-12.1
SL.11-12.1.a
SL.11-12.1.b
SL.11-12.1.c
SL.11-12.1.d
SL.11-12.2
SL.11-12.4
SL.11-12.6
W.11-12.1
W.11-12.1.a
W.11-12.1.b
W.11-12.1.d
W.11-12.1.e
W.11-12.4
W.11-12.5

Supporting Standards

L.11-12.1
L.11-12.2
L.11-12.3
L.11-12.5
L.11-12.6
RI.11-12.1
RI.11-12.10
RL.11-12.1
RL.11-12.2
RL.11-12.3
RL.11-12.4
RL.11-12.5
RL.11-12.6
RL.11-12.7
SL.11-12.1
SL.11-12.6
W.11-12.1
W.11-12.1.c
W.11-12.1.d
W.11-12.5
W.11-12.9
W.11-12.10

Read Next

Illuminating Illusions: Truth and Fantasy in A Streetcar Named Desire
Lesson 1
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